48MP ProRAW photos are a game-changer on iPhone 14 Pro

When you see this image, your first reaction may be that it was taken on a camera that has a long-range zoom lens. It has a good amount of detail and is clearly a close-up shot, so you might think it was shot on a periscope lens if it’s a smartphone or a zoom camera.

But what if I told you that this image was taken on a phone’s 24mm wide camera, and not only that, if I showed you that it’s actually a small crop from the original photo, which actually looked like this Is:

Holy cow! Yep, it’s really the new iPhone 14 Pro, and over the past few days I’ve played around with the new 48MP ProRAW files and am amazed at the amount of information you get. This new 48MP resolution is a quadruple jump over the standard 12MP files and you should definitely try it, and while other companies have been using an even larger resolution for years, I’ve actually seen that in many photos, 48MP files from iPhone. Actually look better. 108MP Snap from biggest competitor, the Galaxy S22 Ultra.

The difference can vary depending on what you shoot and how you shoot it, but it seems that 48 megapixels on the iPhone can sometimes give users more detail than 108 megapixels on other phones ( And let’s not forget that) Motorola just shipped a phone with a 200MP camera, and we’ll explore that topic in more detail soon). We just haven’t compared it in much detail using Samsung’s specialist ProRaw, but it was impressive enough to notice.
But if you’re already in the camp iPhone you probably don’t care much about other phones, you might want to see what this means for you and whether you need to start shooting 48MP ProRAW with every photo now. needed.

Well, allow me to give you a few examples that have convinced me that 48MP is an absolute must for those special photos you really want to be remembered for. The images above might also make you consider the option of blowing up iPhone photos into print and hanging them in your home, something that wasn’t really possible with the 12MP resolution we’ve had until now (iPhones though have higher-resolution captures). have been able to do panorama shots have been good for print for years now).

iPhone 12MP vs 48MP ProRAW detail comparison (in cropped images):

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I have to admit I didn’t expect much hence There is a difference, but the image above just speaks for itself.

But as much as I want you to start shooting 48MP RAW right now, I have to warn you that there’s a slight learning curve. Simply put, it’s a bit of a hassle shooting in ProRAW. First, each photo you capture is about 80MB in size (we have a couple 120MB, which is as big as a video). It’s about 10X the size of a regular JPEG file, and most people won’t want to carry those files around and if you want to share it with the world you’ll have to process it first, which takes extra time and effort. Is.

I have my own personal routine which I have now perfected and it is very fast. Here’s my process: I play these files through the popular camera app VSCO, which supports Apple ProRaw profiles (Lightroom, Halide and others do too, and so on are great). Once I import a 48MP file into VSCO, I can export it right away and you end up with a super detailed JPEG file in just a few seconds, or you can start to fix it, but Keep in mind that you don’t actually need to do this for you as the built-in ProRAW profiles already exist.

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And since I was blown away by the results, I continue with my mission to convince you that shooting 48MP ProRAW files is Absolutely It’s worth it now and I’ll never go back to shooting 12MP JPEG.

The faces of the girls sitting in the cafe is a proof in itself, but also look at the blades of grass and how much more detail you get with these files. It’s like you shot it with a different camera entirely.

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And as any RAW shooter will tell you, the details in the ProRaw file below can be a bit soft, but you can easily tune it by pushing the slider and get a nice and sharp image, with just a ton of detail. With Volume you will never get a 12MP iPhone JPEG file.

However, keep in mind that you can only shoot 48MP files in 1X mode. At other focusing distances ProRAW files come out as 12MP images and don’t benefit from the larger resolution.

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One of my pet peeves with iPhone cameras over the years is the artificial hyper-sharpness that manifests as a kind of glare around the edge of objects in photos, and look at this, the new 48MP mode gets rid of that too.

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The benefits that come with a large resolution file, even in low light, are tremendous. While you do get the occasional fine grained noise, the detail on these files makes up for it with a fair amount of detail.

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If your models still don’t quite resemble this statue, though, you should be warned that 48MP files are processed for about a second or two after you press the shutter button, which is a great way for you to remember that one special moment. enough or is that a cool trick.

And it’ll probably be the second reason you really want to stick with 12MP photos (the first one is the hassle of processing RAW files, of course). In regular 12MP mode, you can simply fire up burst-mode capturing dozens of photos in the time it takes for the iPhone to process a single RAW file.

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And here is just one more example to convince you in the power of this new camera mode in iPhone 14 Pro.

so what do you think? Are you ready to take the plunge with ProRAW files now, because the 48-megapixel resolution really makes it worth it, or do you think it’s too much trouble?

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